Musician Sean Barna drops by to discuss the Hold Steady's sophomore effort Separation Sunday (2005, Frenchkiss).
Musician Scott Sylvester (Meeko Brando) hangs out with Bill and Brian while we discuss Sonic Youth's Murray St. (2002, DGC Records).
Writer, blogger, and vlogger Maureen Zahn joins Bill and Brian to discuss the Police's Synchronicity (1983, A&M).
Podcaster Rachel from We Are Weezer joins us from across the country to talk about one of her top 3 bands of all time, Garbage, and their debut self titled album (1995, Almo).
We're back from a month long break from the podcast with a Liner Notes episode.
On another exciting episode of the Great Albums...Bill and Brian are joined by Matt Warren, Digital Content Manager for filmindependent.org, to discuss the Flaming Lips' Yoshimi Battles the Pink Robots (2002, Warner Bros.).
Our blogger Jeff Fiedler returns from a brief hiatus with this new Lost and Found feature on the 1974 self-titled solo debut from the sadly-little-known Tim Moore, formerly the frontman for Elektra Records act Gulliver. While Moore never had a Top 40 hit to call his own as a performer, his admirers within the industry were plentiful and nearly every last song on this record would be covered by a major artist.
if you’re the kind of person who only likes “some” country music, this is probably the country music you’re talking about: sparse, electric instrumentation with lots and lots of bright, twang-y telecasters and woozy pedal steel practically dripping off of the record like mercury out of a broken thermometer.
It’s a weird thing to say about a band that was inarguably one of the most ginormous stadium acts of its era, but Guns ‘N Roses really should have had a better career. But here was an epically dysfunctional band; I imagine trying to keep GNR moving forward, at any point, was probably like trying to herd Adderall-addicted pythons.
While you may not have heard of the name Louise Goffin and her commercial success pales to that of even her former babysitter (Little Eva, who’d score three additional Top 40 hits following the chart-topping success of “The Loco-Motion” before fading from prominence), the daughter of songwriting legends …
At this time, the form had evolved well beyond its primordial party-centric focus to explore weightier ideas. As KRS-One says, “Some people Say I am a rap missionary/some people say that I am a walking dictionary/some people say that I am truly legendary/But what I am is simply a black revolutionary.”
Our Lost and Found column returns with this look at this 1985 self-titled affair by the Minneapolis funk outfit The Family, a band assembled by Prince from the remnants of The Time. The record would bomb and the band would never release another record (until reuniting decades later under a new name), but it remains an artistic triumph and is historically significant for containing the original version of a song that would become one of the biggest hits of the early ‘90s.
“Odds are that we … will probably be” looking at the band’s late-career indie output from Barenaked Ladies Are Me through Fake Nudes in this second half of our feature on the full Barenaked Ladies studio catalog and selecting their most satisfying best-of and live releases!
It’s been one week since our last Discog Fever feature, and this time we’re taking a look at the lovable and wickedly funny Canadian rockers Barenaked Ladies, beginning with this venture into each of their major-label discs from their full-length debut Gordon through Everything to Everyone!
We conclude our look at the full secular discography of Cat Stevens/Yusuf Islam by examining each of his studio albums from 1974’s Buddha and the Chocolate Box through 2017’s The Laughing Apple!
We delve into the “wild world” of studio albums from Yusuf Islam (aka Cat Stevens) beginning with this trek from each of his full-lengths from his debut disc Matthew and Son through the experimental Foreigner!
We finish up our look at the Foo Fighters catalog by assessing each of their studio albums from In Your Honor through their most recent outing, Concrete and Gold!
We go through each Foo Fighters studio album one by one in this week’s installation of Discog Fever, beginning with this look at the band’s first four full-lengths from their self-titled debut through … well, One by One!
We finish up our trek through the Monkees’ catalog by delving into each of their studio albums from their first post-Peter Tork album Instant Replay through the 2016 reunion album Good Times! and selecting the most satisfying of their many best-of compilations and live albums.
In honor of the late Peter Tork’s passing last week, we take a look in this week’s installation of Discog Fever at the full Monkees catalog, beginning with this look at each of their studio albums from their self-titled debut to the band’s soundtrack to their 1968 cult-classic film Head!
We wrap up our look at the full Pink Floyd catalog by examining each of their seven studio albums for Columbia from Wish You Were Here to The Endless River and picking their best greatest-hits compilations and live albums!
By request, we take on the Pink Floyd catalog in this two-parter, beginning with this look at each of their studio albums from 1967’s Piper at the Gates of Dawn to the now-iconic 1973 platterThe Dark Side of the Moon!
Our small-screen-salute this week at The Great Albums continues with this Common Thread column from our own Jeff Fiedler, highlighting a dozen non-soundtrack studio albums (many of them fairly obscure) spanning the ‘70s through the ‘90s, each containing a hit television theme!
Not only one of the finest R&B singers of his generation but arguably the seminal duets singer of the ‘80s (you’ll be surprised to learn how long he had to wait for his first non-duet hit!), Ingram’s long string of hits (and an equal number of hidden gems) are spread across a vast array of full-lengths, only a few of them billed to himself. So where can you find them all? Our own Jeff Fiedler has compiled this handy guide to commemorate Ingram’s remarkable career as a vocalist and songwriter both.